{"id":9807,"date":"2024-09-11T08:25:14","date_gmt":"2024-09-11T12:25:14","guid":{"rendered":"https:\/\/nykcc.org\/?p=9807"},"modified":"2024-11-04T08:29:29","modified_gmt":"2024-11-04T13:29:29","slug":"in-the-blind-spot-by-ayse-polat","status":"publish","type":"post","link":"https:\/\/nykcc.org\/oldsite\/in-the-blind-spot-by-ayse-polat\/","title":{"rendered":"“In the Blind Spot” by Ay\u015fe Polat"},"content":{"rendered":"\t\t
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In the Blind Spot | Im toten Winkel | \u0644\u06d5 \u0646\u0627\u0648\u0686\u06d5\u06cc \u06a9\u0648\u06ce\u0631\u062f\u0627<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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AY\u015eE POLAT<\/b><\/p>

Germany | Almanya, \u00a02023<\/strong><\/p>

Filmed in Bakur (North Kurdistan)<\/strong><\/p>

Turkish, German, English, Kurmanc\u00ee (Kurdish), with English subtitles<\/strong><\/p>

Feature Fiction | Film\u00ea Dir\u00eaj<\/strong><\/p>

117 minutes | 117 xulek<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Trailer:<\/strong><\/p>

Watch the trailer here\u00a0<\/a>\u00a0| Di vir<\/a> re h\u00fbn dikarin r\u00eaklam\u00ea\u00a0 <\/span>tema\u015febikin \u00a0|\u00a0\u0644\u06ce\u0631\u06d5\u0648\u06d5 \u062a\u0631\u0627\u06cc\u0644\u06d5\u0631\u06cc \u0641\u06cc\u0644\u0645\u06d5\u06a9\u06d5 \u0628\u0628\u06cc\u0646\u06d5<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Synopsis<\/strong>:<\/span><\/p>

In a remote Kurdish village in northeastern Turkey, a German film team is filming a documentary. They witness an elderly woman perform a recurring ritual to keep the memory of her missing son alive. The German crew\u2019s Kurdish translator is also the nanny of Melek, a 7-year-old Turkish girl.\u00a0 Melek appears to be haunted by a mysterious force. Her father, Zafer, works for a sinister organization that operates on surveillance and fear. He is caught between loyalty to them and fear for his family’s well-being. The story of the fateful encounter of these people develops into a complex net of conspiracy, paranoia, and generational trauma. \u00a0According to the producer, \u201cThe film is as much suspenseful mystery- thriller as sensitive and poetic drama about transgenerational trauma in the\u00a0 shadow of the Kurdish question in Turkey.\u201d<\/p>

D\u00fbr li gundeke Kurd li Bakurrojhelat\u00ea Turkiy\u00ea, Komeke Alman filmeke belgefilm\u00ee \u00e7\u00eadikin. Ew d\u00eemek\u00ea \u00e7\u00eadikin ku jineke temen mezin meras\u00eemek\u00ea ji kur\u00ea xwe y\u00ea windab\u00fby\u00ee re \u00e7\u00eadike, da ku bi b\u00eer b\u00eene. Werger\u00eaner\u00ea Kurd\u00ee y\u00ea t\u00eema Alman\u00ee dap\u00eera Melek\u00ea ye, ke\u00e7eke Turk 7 sal\u00ee. Melek xuyadike ku ew bi h\u00eazeke xer\u00eeb hatiye desteserkirin. Bav\u00ea w\u00ea Zaf\u00ear, bi r\u00eaxistineke neba\u015f re dixebite, y\u00ea ku li ser \u00e7avder\u00ee \u00fb tirs\u00ea tevdigerin. Ew kete navbera du ti\u015ftan de, da ku ew bi wan re pi\u015frast be yan j\u00ee ew li ser malbata xwe bitirse. \u00c7\u00earoka \u00e7aren\u00fbs\u00ee y\u00ea van mirovan b\u00eatir p\u00ea\u015fdikeve \u00fb dibe \u015febekeyek tevl\u00eehev ji tejr\u00eed\u00ea, paranoya \u00fb nif\u015f\u00ean \u015fikest\u00ee.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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NYKFF8 Screening
\nSunday, October 13 @7pm\u20139pm
\nat Village East by Angelika, 181-189 2nd Avenue<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"AyseDirector’s biography:<\/strong><\/span><\/p>

Ay\u015fe Polat was born in Malatya, Turkey, and grew up in Hamburg, Germany. She is a German-Kurdish director, screenwriter, and producer. After making numerous internationally award-winning short films, she made her first feature film in 1999, titled Tour Abroad<\/em>. En Garde<\/em> followed in 2003, which won two Silver Leopards for Best Film and Best Actress at the International Locarno Film Festival 2004. In 2009 she shot the comedy Luks Gl\u00fcck<\/em> followed by The Heiress<\/em> in 2013 and the documentary The Others<\/em> in 2016. She has directed several TV-movies and is currently working on her next feature film. Read more about Ay\u015fe Polat here<\/a>.<\/p>

Ay\u015fa Polat li Melatiy\u00ea ji day\u00eekb\u00fbye, Turkiy\u00ea, \u00fb li Hamburg\u00ea (Almaniya) mezinb\u00fbye. Ew Kurd-Alman\u00ee y\u00ea weke der\u00eaner, s\u00eenaryoniv\u00eeskar \u00fb hilber\u00eenere. Pi\u015ft\u00ee wergirtina gelek xelat\u00ean navnetew\u00ee y\u00ea kurtefilmam, film\u00ea xwe y\u00ea yekem \u00fb dir\u00eaj di sala 1999’an \u00e7\u00eakir, bi nav\u00ea Tour Abroad<\/em>. En Garde<\/em> y\u00ea di 2003’an du xelat\u00ean z\u00eev\u00ee girtin Piling\u00ea Ba\u015ftir\u00een F\u00eelm (Leopards for Best Film) \u00fb Ba\u015ftir\u00eend \u015eanoger (Best Actress) di Fest\u00eevala Film\u00ea Lecarno y\u00ea C\u00eehan\u00ee 2004. Di 2009’an de filma kom\u00eed\u00ee Luks Gl\u00fcck<\/em> p\u00eare The Heiress<\/em> sala 2016’an de ki\u015fandin. W\u00ea gelek TV-Film derxistin \u00fb niha liser film\u00ea xwe y\u00ea dir\u00eaj dixebite.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Awards for this film:<\/b><\/p>

Golden Tulip for Best Film, Istanbul Film Festival<\/span><\/p>

Best Screenplay, Istanbul Film Festival<\/span><\/p>

Best Editing, Istanbul Film Festival<\/span><\/p>

FIPRESCI Prize, Istanbul Film Festival<\/span><\/p>

German Independence Award for Best Film, Oldenburg Film Festival<\/span><\/p>

FIPRESCI Prize, Duhok International Film Festival<\/span><\/p>

Best Screenplay, Duhok International Film Festival<\/span><\/p>

Bronze Lola Best Film, Golden Lola Best Screenplay, Golden Lola Best Director, German Film Awards<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

In the Blind Spot | Im toten Winkel | \u0644\u06d5 \u0646\u0627\u0648\u0686\u06d5\u06cc \u06a9\u0648\u06ce\u0631\u062f\u0627 AY\u015eE POLAT Germany | Almanya, \u00a02023 Filmed in Bakur (North Kurdistan) Turkish, German, English, Kurmanc\u00ee (Kurdish), with English subtitles Feature Fiction | Film\u00ea Dir\u00eaj 117 minutes | 117 xulek Trailer: Watch the trailer here\u00a0\u00a0| Di vir re h\u00fbn dikarin r\u00eaklam\u00ea\u00a0 tema\u015febikin \u00a0|\u00a0\u0644\u06ce\u0631\u06d5\u0648\u06d5 \u062a\u0631\u0627\u06cc\u0644\u06d5\u0631\u06cc […]<\/p>\n","protected":false},"author":1,"featured_media":10910,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[66,183],"tags":[189,182],"class_list":["post-9807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-nykff8-films","tag-feature-fiction","tag-nykff8"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/posts\/9807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/comments?post=9807"}],"version-history":[{"count":20,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/posts\/9807\/revisions"}],"predecessor-version":[{"id":12227,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/posts\/9807\/revisions\/12227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/media\/10910"}],"wp:attachment":[{"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/media?parent=9807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/categories?post=9807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nykcc.org\/oldsite\/wp-json\/wp\/v2\/tags?post=9807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}